18 Outstanding Films Of Indian Cinema That Prove You Don’t Need Big Stars And extraordinary Locations To Attract The Audience
Today’s Indian cinema doesn’t need big stars,grand locations, huge budget or above all an item number to sell a story because now the audience is so smart and prefer good story over any artificial ingredients. This is a list of 18 excellent movies that describe, only a good story and brilliant direction is enough to attract the audience.
Vikramaditya Motwane’s introduction highlight film was broadly valued however the motion picture wasn’t completely effective in recouping its officially low generation spending plan of Rs 5 Crore. Yet, both Rajat Barmecha and Ronit Roy became well known.
Directed by Kanu Behl, who filled in as a first assistant to Dibakar Banerjee, the film was bankrolled by none other than Aditya Chopra’s Yash Raj Films. Be that as it may, despite the fact that the motion picture got stellar audits and made a name for its lead cast, the film was a film industry disappointment.
3.DO DOONI CHAAR
Screenwriter Habib Faisal’s directorial wander which saw Rishi Kapoor and Neetu Kapoor join on screen after truly long wasn’t an entire champ in the cinema world. In any case, the narrative of the middle class family reverberated with most.
Neeraj Ghaywan’s film despite the fact that a film industry disappointment won prestigious honors at Cannes, and made a name for Richa Chaddha and Vicky Kaushal. Chaddha, who had prior won acknowledgment amid the Wasseypur saga, turned out to be much more prominent after the arrival of this film.
Acquiring Vidya Balan the epithet of Bollywood’s female Aamir Khan, the motion picture likewise brought executive Sujoy Ghosh’s vocation as a chief out of a state of insensibility as he at last had a hit film to his name, in his fourth endeavor. On the off chance that you consider its little spending plan, it made a mess of cash.
Rajat Kapoor’s directorial wander featured a conceivably vocation characterizing execution by veteran performing artist Sanjay Misra. As Bauji, Misra played a character who rediscovers life once he retired from his job. The film has a significant tone to it, and that is conceivably why it wasn’t a film industry achievement.
Featuring Shilpa Shukla, the film depended on a Hindi short story called The Railway Aunty. Having barely any recognisable face in the movie, it went ahead to wind up plainly one of those movies which turned into a hit exclusively on informal.
8.TERE BIN LADEN
Abhishek Sharma’s satire highlighted a sporting Ali Zafar, who made a trick of himself when it was as yet lawful for on-screen characters over the fringe to star in movies here. Also, the astonishment of the film was obscure on-screen character Pradhuman Singh playing a double for Osama Bin Laden. The film tripled its financial plan.
9.PAAN SINGH TOMAR
Tigmanshu Dhulia’s breakout film after the similarly amazing Haasil and Sahib, Biwi Aur Gangster, it depended on Chambal’s dacoit who had likewise been a national sports gold medalist prior. Created again by Ronnie Screwvala, the motion picture made right around 9 times its generation spending plan and situated its leading man (Irrfan Khan) as a Bollywood star.
10.OYE LUCKY LUCKY OYE
Dibakar Banerjee’s sophomore film after the somewhat fruitful Khosla Ka Ghosla featured another, stimulated Abhay Deol after the shot of morphine which was Dev.D. It depended on the “superchor” Bunty who circumvented Delhi utilizing his unrestrained appeal and mind to steal. The film scarcely recouped its generation spending plan yet included a ton of goodwill for its executive and lead performer. Likewise Paresh Rawal, who starred in three parts.
11.KHOSLA KA GHOSLA
Make a big appearance highlight film for a standout amongst the most energizing directors in Bollywood, Khosla Ka Ghosla was loaded with splendid performers like Anupam Kher, Navin Nischol, Ranvir Shorey, Vinay Pathak and Parvin Dabbas. Upheld by Ronnie Screwvala’s UTV, the film about multiplied its creation spending plan and that was stating something for the advanced dim satire that the film had.
12.LOVE SEX AUR DHOKHA
Dibakar Banerjee’s exploratory film on MMS embarrassments utilizing the discovered film strategy, fundamentally utilized cell phones and webcams to shoot the film. Which implied that the film was made for a small Rs 4.5 crore bankrolled by Ekta Kapoor’s Balaji Motion Pictures. What’s more, she didn’t think twice about it in light of the fact that the movie nearly tripled her speculation.
John Abraham’s creation venture did not star himself. Abraham united an acclaimed director (Shoojit Sircar), a quirky script (by Adwoman Juhi Chaturvedi) and a cluster of new confronts (Former VJ Ayushmann Khurana, Yami Gautam and Dolly Ahluwali) for Vicky Donor, and made India’s first film on sperm donation. The motion picture earned 13 times its creation spending plan.
Nagesh Kukunoor’s underdog sports-dramatization is about a hard of hearing quiet kid from a remote town, who sustains a fantasy to play for the Indian cricket group. Featuring new child Shreyas Talpade, and a mind blowing execution by Naseeruddin Shah implied that the motion picture would make six times its generation spending plan of Rs 75 lakhs.
Expected as a parody on the farmer suicides tormenting the provincial zones in India, the film had the advantage of a hotshot like Aamir Khan creating the motion picture. Which is the reason the motion picture with generally untrained performers, went ahead to profit of its financial plan. Don’t worry about it the fight which trailed the arrival of the motion picture between the maker and its executives, who later abandoned the film.
16.RAMAN RAGHAV 2.0
Taking after the monstrous disappointment of his artful culmination Bombay Velvet, Anurag Kashyap backpedaled to his Indie roots with Raman Raghav 2.0. Featuring the splendid Nawazuddin Siddiqui with the pretty much popular Vicky Kaushal, Kashyap wove an excellent film around two cantankerous mental cases investigating their bond. Loaded with rich visuals of Mumbai, the film about multiplied its financial plan of Rs 3.5 crores.
17.PHAS GAYE RE OBAMA
Subhash Kapoor’s satire on the world’s financial downturn and how it influences the abducting business in the hinterland featured many unmistakable appearances. Sanjay Misra, Rajat Kapoor, Neha Dhupia and Amol Gupte were all colossally silly. Also, it figured out how to triple its financial plan of Rs 6 crore.
Vikramaditya Motwane’s film set in the flat of a Mumbai skyscraper has turned out to be a standout amongst the most discussed movie since its release. It has won close consistent acclaim from the critics, it stays to be checked whether the film has success in the cinema world.